Gyula Konkoly was born in Budapest in 1941. After attending the Secondary School for Art and Design, he was accepted to the Academy of Fine Arts in 1959, where his teacher was Gyula Hincz. In the 1960s, he was a member of the Csernus Circle, many of whom became important pioneers of Hungarian pop art, such as László Lakner and László Gyémánt. The exhibition in Vienna entitled Pop, etc., which showcased works by American artists made a deep impression on him (1964, Museum des 20. Jahrhunderts). After this, he began using press photos and art historical allusions to in his own works, often combining them with hard edge surfaces and appliqué textiles (for example his work Fallow Ragu). His grotesque, coloured objects made of synthetic resin are some of the most radical pieces of Hungarian pop art (An Academic Study, Tempered Egg). His object entitled Academy Study could be interpreted as a satire of socialism (see “raised fist”), but one could also contend that it pokes fun at academic instruction and vocations that can be taught. These objects were antecedents to his conceptual works. An emblematic work of the second Iparterv exhibition, which opened on 24 October 1969, was the block of ice the size of a human being wrapped in wad and gauze and bleeding potassium permanganate (October Memorial), which was part of the memorial series. In the 1980s, he began painting in the photorealist style, which around 2000 was replaced with a stylized figural style.
The outer shell of the Alfa compact camera produced between 1961 and 1968 was created by professional designers. It is still, to this day, one of the outstanding products of Polish design. It was produced by WZFO: abbreviation of Warszawskie Zaklady Foto-Opticzne, the name of an optical goods company founded in December 1951. In 1968, the factory was merged with Polskie Zaklady Opticzne, a company established between the two world wars, in 1921. The organisation was working until 1997, when it was bought by the German Optik GmbH.
The Alfa-2 was produced between 1963 and 1968, with an Emitar/Euktar lense. The designer designed the outer shell for portrait format. A leather case was added to the machine, while the back panel was painted in various colours, to the great satisfaction of modern day collectors. Today, the colour of the camera depends on the fact, where the machine was sold. In socialist countries, the company sold them in dark blue, grey or light brown, while Westerners could buy it in light green, purple and bright yellow. In 2010, an Alfa-2 was sold for 1500 at the auction of the Auction Team Breker in Cologne, Germany.
Source: Photography online, lenstip.com
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