László Lakner was born in Budapest in 1936. After attending the Secondary School of Art and Design, he studied at the Academy of Fine Arts between 1954 and 1960. His early works are tied to surnaturalism, a form of art that merged motifs from everyday life with Surrealism’s bold association of ideas and represented a language of form completely at odds with the officially endorsed Socialist Realism. Photographs, illustrations and texts from newspapers and magazines provided important inspiration for Lakner. The work of Robert Rauschenberg, with which he became familiar at the 1964 Venice Biennale, made a profound impression on him. Following his visit to Venice, Lakner’s art began to move towards pop art and he began making collages. Important works from this period include those made as a reaction to the Vietnam War, such as The Protest of Buddhist Monks, Prisoner and Cloud and Saigon. Two important recurring motifs from this period are the rose and the mouth (Mouth I). In the 1970s, Lakner turned to Hyperrealism and began to be concerned about moments of Hungarian history (for example the Monument to the Revolution). Lakner was included in the Venice Biennale in 1972 and participated in the Documenta in 1977. He also began to familiarize himself with Conceptual art in the 1970s.
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