Originally named Andrew Warhola, Andy Warhol was born to a family who had immigrated to the Unites States following World War I. In 1949, he moved to New York and changed his name to Andy Warhol. As he was often bedridden, he spent much of his childhood years at home listening to the radio, collecting pictures and drawings. He looked back on this time as having been an important period in his artistic development. Warhol studied graphic design and began his career in this field, but also designed stage sets, bookmarks, greeting cards and even women’s shoes. He organized his first solo exhibition in 1952. Between 1955 and 1957, he made illustrations for I. Miller shoes which appeared on a weekly basis in the New York Times. In 1956, his drawings were shown in an exhibition organized at the Bodley Gallery. Essentially from this point on, his career as an artist truly began, as did his friendship with contemporary artists, for instance, his friendships with Jasper Johns, Claes Oldenburg and Robert Rauschenberg. He founded his studio, called the Factory, in Manhattan in 1963. It was then that he began seriously working with film. In 1969, he launched a film periodical entitled Interview. Warhol died in 1987 due to post-operative complications.
129 Die In Jet
Warhol’s inspiration for 129 Die in Jet was a New York airline disaster, not so much the crash itself, but rather a photograph of the wreckage that was published in the June 4th issue of the New York Mirror in 1962. Warhol projected the image taken on the ground, in which the tail of the crashed jet-propelled plane is erect, and painted a copy of it. He used not only the photograph, but also the title heading of the sensationalist newspaper, especially the headline announcing the death of 129 people, which continues below the photograph with the words “IN JET”. The title of the newspaper appears on the upper segment of the work, together with the date of publication and the serial number of the publication. Warhol emitted a few uninteresting motifs, but added a star to the upper left corner.
Andy Warhol and disaster pictures
Only rarely do people appear in Warhol’s death and disaster series. In most cases death remains “impersonal”. Warhol stated that his death series consist of two parts. The first one depicts famous dead people, the second group depicts dead people of whom no one has ever heard. The artist used newspaper photographs which at the time were accompanied by accounts relished with mordant horror and devoid of any human emotion. The theme of death recurred in his series Skulls and Shadows.
Through Warhol’s reproductions and catalogues, the unknown characters and corpses in these images became as well-known as their famous counterparts (and also remained just as impenetrable as masks and props).
Source: Irodalmi Rádió, Beszélő
A few curious details from the life of Andy Warhol
[1] képek http://www.brainpickings.org/2013/11/20/wild-raspberries-andy-warhol-cookbook/

Charles & Ray Eames – Tandem Sling Seating, 1962

JFK nemzetközi repülőtér
The ”Tandem Sling Seating” was created by Charles and Ray Eames designers for the Washington Dulles international airport and for the O’Hare international airport in Chicago: they wanted to create an attractive, comfortable and sturdy seating sytsem.It is made of cast steel, nylon straps and polyurethane armrests. The chairs were produced by a leading furniture design company Herman Miller about half a century ago. The company was also involved in the creation of Verner Panton’s Panton chair.
https://www.youtube.com/watch?v=bxoC5Oyf_ss)

https://www.youtube.com/watch?v=7Q9QyChJeNU)

https://www.youtube.com/watch?v=dY0LrmKXsB8

https://www.youtube.com/watch?v=VKqESnFmTmA&index=1&list=PLCD30B46A0041DF14)


